In a career-defining performance, Alain Delon plays Jef Costello, a contract killer with samurai instincts. After carrying out a flawlessly planned hit, Jef finds himself caught between a persistent police investigator and a ruthless employer, and not even his armor of fedora and trench coat can protect him. An elegantly stylized masterpiece of cool by maverick director Jean‑Pierre Melville, Le samouraï is a razor-sharp cocktail of 1940s American gangster cinema and 1960s French pop culture—with a liberal dose of Japanese lone-warrior mythology.
Le Samouraï (1967)Alain Delon is the perfect embodiment of gangster coolness in this career-defining role as a hit-man in Paris, a modern-day samuraï. "Le Gangster", as the French lovingly call them. Off course, these gangsters don't exist anymore and they probably never existed at all.
Le Samouraï'"The Samurai"'; originally released as The Godson in the US) is a 1967 neo-noir crime film written and directed by Jean-Pierre Melville. The film follows a professional hitman named Jef Costello who is seen by witnesses and his efforts to provide himself an alibi that drive him further into a corner.
Le samouraï (1967)Le Samourai has had a significant impact on other pictures, and it's easy to understand why. The simple story of a hitman who poorly thought out his hit is interesting and there are many other ways...
Le samouraï (1967) | The Criterion CollectionLe samouraï In a career-defining performance, Alain Delon plays Jef Costello, a contract killer with samurai instincts. After carrying out a flawlessly planned hit, Jef finds himself caught between a persistent police investigator and a ruthless employer, and not even his armor of fedora and trench coat can protect him.
Le Samouraï | Movies.comSynopsis. Long considered a classic of European film noir, this existential gangster drama from French director Jean-Pierre Melville was released in the United States only in a severely truncated, re-edited, and overdubbed version entitled The Godson. Thirty years after its initial public airing, Le Samourai (1967) finally saw a limited American release in its intended form.
Le Samouraï (1967) directed by JeanAn elegantly stylized masterpiece of cool by maverick director Jean‑Pierre Melville, Le samouraï is a razor-sharp cocktail of 1940s American gangster cinema and 1960s French pop culture—with a liberal dose of Japanese lone-warrior mythology.
Le Samourai movie review & film summary (1967) | Roger EbertOne of the pleasures of "Le Samourai" is to realize how complicated the plot has grown, in its flat, deadpan way.
Le Samouraï (1967) directed by Jeanle samouraï is a movie about how cool it is to live in apartment with nothing but cigarettes, bottled water, and hydrogen peroxide. the only people who come to visit hate you because of how cool you are. the women around you can’t keep their eyes off you. why? you’re cool as hell.
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The Gangster's All HereWith a Parisian hit man less emotional than a clock for a hero, Jean-Pierre Melville’s “Le Samourai” is an austere poem of crime, a fatalistic exercise in myth-making and transcendent style.